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		English: Prague Biennale 1 Posted by: Admin on Thursday, July 03, 2003 - 11:01 AM CET
		2352 Reads June 26-August 31, 2003 National Gallery/Veletrzni Palac Prague Opening days: June 26-27-28 Info: www.praguebiennale.org <http://www.praguebiennale.org> Email: praguebiennale1@flashartonline.com <mailto:praguebiennale1@flashartonline.com> Organized by Giancarlo Politi and Helena Kontova, editors of Flash Art magazine, together with Milan Knizak and Tomas Vlcek, directors of the National Gallery in Prague, the inaugural edition of the Prague Biennale, "Peripheries become the center," is one of the major art events of the year. This benchmark exhibition showcases the work of around 260 emerging artists from all over the world, selected by a team of 30 influential curators, to create a pluralistic vision of contemporary art today. A huge survey realized with a low budget (compared to other blockbuster exhibitions), the Prague Biennale has pushed its organizers to face amazing challenges, but these constraints represent a move towards new horizons, new solutions, and new exhibiting philosophies. Read more... (10314 bytes more) 3 Comments


		English: BLOGWORK - The network is the artwork - La Biennale di Venezia ART BLOG 03 Posted by: Admin on Wednesday, July 02, 2003 - 12:31 PM CET
		800 Reads http://www.labiennale.org/blogwork/ di Lorenzo Miglioli BLOGWORK The network is the artwork La Biennale di Venezia and the ASAC–The Archive of Contemporary Art, launches a Real Time Archive project on the net (optimal definition for Internet ). Ready to collect, recombine, define, describe, perform, adapt, and evolve… the concept of Digital Art, firstly questioning if it truly exists, and if it does, can it exist as an independent form.… such as painting, sculpture, cinema etc… This BLOGWORK is born with three main motivations: Read more... (1685 bytes more) comments?


		English: The official prizes of the 49th International Exhibition of Art Posted by: Admin on Wednesday, July 02, 2003 - 12:29 PM CET
		255 Reads 09.06.2001 - The international jury is made up by Ery Camara, Carolyn Christov-Bakargiev, Manray Hsu, Hans Ulrich Obrist, Virginia Perez-Ratton, and has awarded the following prizes: Read more... (2252 bytes more) comments?


		English: 50th International Exhibition of Art, La Biennale di Venezia Posted by: Admin on Wednesday, July 02, 2003 - 12:26 PM CET
		951 Reads Dreams and Conflicts - The Viewer's Dictatorship Director Francesco Bonami Venice, Giardini della Biennale - Arsenale Press days: 12-13-14 June 2003 Vernissage: 13-14 June 2003 Official Opening: 14 June 2003 Opening to the public from 15 June to 2 November 2003 The Biennale di Venezia presents the 50th International Art Exhibition directed by Francesco Bonami: Dreams and Conflicts-The Viewer's Dictatorship. Read more... (2107 bytes more) comments?


		Deutsch: 5. Werkleitz Biennale >Zugewinngemeinschaft< Posted by: Admin on Wednesday, July 10, 2002 - 10:29 AM CET
		910 Reads (31. Juli bis 04. August 2002 in Tornitz/Werkleitz, Sachsen-Anhalt) VERANSTALTUNGSPROGRAMM Read more... (8541 bytes more) comments?


		English: XXV Bienal de de São Paulo Posted by: Admin on Thursday, June 20, 2002 - 11:21 AM CET
		174 Reads ARTFORUM Nico Israel After a nearly four-year hiatus during which infighting and political posturing nearly brought about its demise, the Bienal de São Paulo resurfaced with an exhibition that was a compromise from its inception. In desperation two years ago the Bienal Foundation made the tactical decision to turn to a foreign curator, Alfons Hug, an act of disavowal akin to what academic departments call receivership: the "we can't do it; you do it" approach to conflict (see News, January 2001). A German national who has held various curatorial and cultural-envoy positions worldwide (mostly with the Goethe Institut; he is currently director of the Rio de Janeiro branch) but who had never curated a major international show, Hug was faced with an unenviable task: to bring the high-profile exhibition, one of the three most important biennials in the world, into line, making it fiscally responsible while preserving its significance. In this endeavor Hug was as successful as anyone could have hoped. The event was efficient, pleasant, and quite elegant, rather like a large, sensible German sedan. But glaringly absent were the heat, chaotic spontaneity, and grace under pressure (to say nothing of the "body and soul") that shape Brazilian life as much as they inform the stunning Oscar Niemeyer building that housed the show. Read more... (11649 bytes more) comments?


		Deutsch: Klops Kunst Posted by: Anonymous on Thursday, June 06, 2002 - 03:46 PM CET
		98 Reads Hannoversche Allgemeine, 05.06.2002 von Isabelle Hofmann artgenda 2002, das größte Festival für junge Kunst in Nordeuropa, ist am 7. Juni in Hamburg angelaufen. Read more... (1990 bytes more) comments?


		Butterfahrt und fliegende Bulette: «artgenda» in Hamburg Posted by: Admin2 on Thursday, June 06, 2002 - 01:18 PM CET
		118 Reads Badener Online, 06.06.2002 Von Dorit Koch, dpa Hamburg (dpa) Hausbesuche von Künstlern, eine schwimmende Ponton-Galerie, ein Kunst-Butterfahrt, ein begehbarer Deponie-Wühltisch und der heftig umstrittene Abschuss einer Riesenbulette: Die 4. Biennale für junge Kunst im Ostseeraum «artgenda» in Hamburg verspricht spannende 17 Tage. 170 Künstler aus zehn Ländern sind zu dem an diesem Freitag beginnenden interdisziplinären Programm angereist, das 1996 erstmals in Kopenhagen ausgetragen wurde und im Abstand von zwei Jahren in Stockholm (1998) und Helsinki (2000) Station machte. Eigene Kunstwerke bringen allerdings nicht alle Teilnehmer nach Hamburg mit, vielmehr versteht sich die «artgenda» als Börse für künstlerischen Austausch und als Spielfeld für verschiedene ästhetische Schulen. So genannte Paten in der Hansestadt bieten den geladenen Künstlern eine Plattform - ob räumlich oder thematisch. Auf dem Programm stehen 36 Projekte an den verschiedensten Orten der Hansestadt: Residenzen und Spelunken, Galerien und Hinterzimmer, Clubs und Festsäle, Baustellen und Werkstätten, Straßen, Museen und Labors. Read more... (3058 bytes more) comments?


		English: Second conference "Biennials in dialogue - Exchange or global incest?" Posted by: Admin2 on Wednesday, June 05, 2002 - 11:47 AM CET
		207 Reads From Sunday 9 June until Tuesday 11 June 2002 at the Customs Office in Frankfurt/Main The conference Biennials in Dialogue is itself developing into a biennial. In August 2000, René Block, together with the Institute for foreign cultural relations in Stuttgart, invited the curators and organizers of many biennials for contemporary art to the Friedericianum in Cassel. Read more... (2159 bytes more) 1 Comment


		Deutsch: 2. Konferenz "Biennalen im Dialog - Austausch oder globaler Inzest?" Posted by: Admin2 on Wednesday, June 05, 2002 - 11:44 AM CET
		101 Reads von Sonntag 9. Juni bis Dienstag 11. Juni 2002 im Zollamt in Frankfurt am Main Die Konferenz Biennalen im Dialog entwickelt sich selbst zu einer Biennale. Im August 2000 hatte René Block zusammen mit dem Institut für Auslandsbeziehungen in Stuttgart die Kuratoren und Organisatoren zahlreicher Biennalen zeitgenössischer Kunst ins Friedericianum nach Kassel eingeladen. Read more... (2140 bytes more) comments?


		English: Sydney Biennale Posted by: Admin on Wednesday, May 22, 2002 - 05:58 PM CET
		149 Reads RACHEL WITHERS reports from the Sydney Biennale Artforum 05.11.02 Location: North Sydney's amazing open-air Olympic Pool. Arching over it: the Harbor bridge. The sun's out, the water's warm—and my body is a temple. No, don't laugh! Nose clip to the fore, I've been plowing up and down the lanes, in compliance with my new biennale health regime. From 1976 on, each biennale of Sydney has had a theme: "European Dialogue" (1979), "Origins, Originality and Beyond" (1996), "Every Day" (1998), and so on. So I'm unofficially designating Richard Grayson's 2002 biennale—proper title: "(The World May Be) Fantastic"—as the Biennale of "Not Being Chronically Fried to the Tonsils." Maybe all biennales should come with a government health warning. Read more... (3487 bytes more) comments?


		English: 10 Hours of Internet art at the Tirana Biennial Posted by: Admin on Wednesday, May 22, 2002 - 12:27 PM CET
		105 Reads 10 Hours of Internet art at the Tirana Biennial Interview with Miltos Manetas http://www.electronicorphanage.com/biennale/press/interview.htm by Valentina Tanni A big contemporary art show in a very unusual place, with an impossible budget and many big names. These are the ingredients of the first Tirana Biennial, organized by Flash Art’s director Giancarlo Politi in response to the Venice Biennial, considered obsolete and unable to deliver a convincing portrait of today’s visual arts. In this attempt to give a complete outline of contemporary , couldn’t miss a space for the Internet. The Web section, which includes over 40 projects, has been curated by the volcanic Greek-born artist Miltos Manetas –now working in USA- involved for many years in a stimulating investigation on the world of the computer screen, which includes paintings, digital prints and web projects. Read more... (3921 bytes more) comments?


		Español: Iconografías Metropolitanas Posted by: Admin on Monday, May 20, 2002 - 06:19 PM CET
		135 Reads Museo de Arte Moderno de São Paulo 14 de agosto de 2001 Iconografías Metropolitanas: el tema de la XXV Bienal de São Paulo Por Alfons Hug Tradução de Marcos Alexandre e Jane D’Arc Una presentación del tema Iconografías Metropolitanas, adoptado para la XXV Bienal de Arte de São Paulo, que se realiza del 23 de marzo al 2 de junio de 2002 en el Parque Ibirapuera, São Paulo, con la participación de más de 60 países. Read more... (10000 bytes more) comments?


		Deutsch: Biennale Lyon - Die West-östliche Karawane Posted by: thomasthiel on Monday, May 20, 2002 - 05:38 PM CET
		110 Reads 20.06.2001 Süddeutsche Zeitung Der immerwährende Reichstag des Kunstbetriebs auf Biennale-Tour. HOLGER LIEBS Der immerwährende Reichstag des Kunstbetriebs auf Biennale-Tour. Vielleicht raufen sie sich ja alle irgendwann einmal zusammen, die Hautevolée und das Fußvolk des Kunstbetriebs, alle Kuratoren, Kreativen und Kritiker, alle Groupies und Sammler, Nörgler und kunstliebenden Neureichen, und gründen mit viel Getöse einen Rat. Der tagt dann wöchentlich, entwickelt kühne Pläne, verwirft sie anschließend wieder, und schließlich, wenn die Ratlosigkeit am größten ist, taucht ein findiger Mensch auf, nennen wir ihn Panamarenko, und sagt: Ich baue euch ein Luftschiff. So einen schönen, stromlinienförmigen Raumgleiter, mit silbrig glitzernder Metallhaut und Flügeln, die auch über dem Nordpol nicht vereisen. Eine moderne Arche Noah, groß genug, um die ganze Kunstsippe zu transportieren, von Kwangju nach Kairo, Istanbul, Johannesburg, Saõ Paulo, Havanna, Shanghai, Taipeh, London, Buenos Aires, Dakar, Lyon, Lima, Santa Fe, Ljubljana, Berlin, Venedig und so weiter... Read more... (5643 bytes more) comments?

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